05 July 2009

Locke's Essay Concerning Human Understanding

Book III, Chapter XI ("Remedies of the Imperfection and Abuse of Words"), Section 8:
To remedy the Defects of Speech before-mentioned, to some degree, and to prevent the Inconveniencies that follow from them, I imagine, the observation of these following Rules may be of use, till some body better able shall judge it worth his while, to think more maturely on this Matter, and oblige the World with his Thoughts on it.
First, A Man should take care to use no word without a signification, no Name without an Idea for which he makes it stand. This Rule will not seem altogether needless, to any one who shall take the pains to recollect how often he has met with such Words; as Instinct, Sympathy, and Antipathy, etc. in the Discourse of others, so made use of, as he might easily conclude, that those that used them, had no Ideas in their Minds to which they applied them; but spoke them only as Sounds, which usually served instead of Reasons, on the like occasions. Not but that these Words, and the like, have very natural connexion between any Words, and any Ideas, these, and any other, may be learn'd by rote, and pronounced or writ by Men, who have no Ideas in their Minds, to which they have annexed them, and for which they make them stand; which is necessary they should, if Men would speak intelligibly even to themselves alone.
(Ed. Peter H. Nidditch. Oxford: Clarendon, 1979. 512)

So here's why I like him: Locke is always really good about making sense, and not just saying things that probably mean something but don't communicate well. (If Locke were alive, I'd totally take a seminar he was teaching. Or, even better, be one of his classmates—Locke would be tedious, but painstakingly clear, in talking about anything even slightly difficult. Once you got to the end of his sentences, you'd really understand what he meant.) It's weird to me, though, that he talks about making sense in terms of using the right words—he never discusses people who abuse language by using a difficult style, or too many words, or difficult syntax. (And he's often guilty of all of those abuses, too, which makes me suspect he didn't notice that they were a problem just as much as using words that don't mean anything.) I'm guessing this is a historical context issue—if Locke doesn't use the word "sentence," maybe it's because people still weren't thinking in terms of sentences yet. (OED is, as usual, fuzzy on the exact kind of "sentence" I mean—and Locke himself would criticize me for not really knowing just what kind of "sentence" it is I'm looking for. Maybe I mean "clause"—a grammatical unit that's the next step up from a word. But Locke doesn't mention "sentences" OR "clauses" anywhere in the third book on Words. Hmm.

the lists themselves, so they're all in one place:

Period List: Restoration/18th Century

Classical/Continental/Arabic Backgrounds

1. Virgil (trans. Dryden, 1697) Georgics

2. Abu Jaafar Ebn Tophail (trans. Ockley? 1708), The Improvement of Human Reason, Exhibited in the Life of Hai Ebn Yokdhan

*3. Miguel de Cervantes (trans. Smollett, 1755) Don Quixote

Intellectual Prose: Philosophical, Religious, Political

4. 1651 Thomas Hobbes, Leviathan

5. 1690 John Locke, Essay Concerning Human Understanding

6. 1738 William Keith, History of the British Plantations in America: Part I, “History of Virginia”

7. 1739 David Hume, Treatise of Human Nature

Criticism and Aesthetics

8. 1668 John Dryden, An Essay of Dramatic Poesy

9. 1711-12 Addison and Steele, selections from The Spectator

#62 "True Wit"

#160 "Genius"

#249 "Laughter and Ridicule"

#409 "Taste"

#411-#421 "Pleasures of the Imagination"

#303, #309, #315, #321, #327, #333 on Books I-VI of Paradise Lost

10. 1759 Adam Smith, Theory of Moral Sentiments

11. 1785 Clara Reeve, The Progress of Romance

Biographical, Autobiographical, and Personal Prose

12. [later 17th century] Lucy Apsley Hutchinson, Memoirs of the Life of Colonel Hutchinson

13. [1660-69] Samuel Pepys, Diary

14. 1725 Eliza Heywood, Mary Stuart, Queen of Scots

15. 1763 Lady Mary Wortley Montagu, Letters Written during her Travels in Europe, Asia, and Africa

Poetry

16. 1642 John Denham, Cooper’s Hill

17. 1667 John Milton, Paradise Lost

18. 1681 Andrew Marvell, Upon Appleton House

19. 1703 Sarah Fyge Egerton, “On my leaving London” and “The Liberty”

20. 1709 Edward Ward, The Rambling Fuddle-Caps: or a Tavern Struggle for a Kiss

21. 1731 Alexander Pope, Essay on Man

22. 1768 Thomas Gray, "Ode on the Death of a Favourite Cat, Drowned in a Tub of Gold Fishes," "Ode on a Distant prospect of Eton College," "Elegy Written in a Country Churchyard," "A Long Story"

23. 1785 William Cowper, The Task

Drama

24. 1641 Ben Jonson, Bartholmew Fair

25. 1675 William Wycherly, The Country Wife

26. 1677 John Dryden, All for Love

27. 1700 William Congreve, Way of the World

29. 1737 Henry Brooke, Gustavus Vasa

30. 1773 Oliver Goldsmith, She Stoops to Conquer

Prose Fiction

31. 1678 John Bunyan, Pilgrim’s Progress

32. 1688 Aphra Behn, Oroonoko

*33. 1719 Daniel Defoe, Robinson Crusoe

34. 1726 Jonathan Swift, Gulliver's Travels

*35. 1740 Samuel Richardson, Pamela

*36. 1741 Henry Fielding, Shamela

37. 1744 Sarah Fielding, The Adventures of David Simple

38. 1745 Tobias Smollett, The Adventures of Roderick Random

39. 1761 Frances Sheridan, Memoirs of Miss Sidney Bidulph

*40. 1761 Jean-Jacques Rousseau, Julie: Or the new Heloise

*41. 1764 Horace Walpole, The Castle of Otranto

42. 1766 Oliver Goldsmith, The Vicar of Wakefield

*43. 1768 Laurence Sterne, A Sentimental Journey Through France and Italy

*44. 1778 Fanny Burney, Evelina

Secondary Reading

44. 1876 Leslie Stephen, The History of English Thought in the Eighteenth Century

45. 1966 Foucault, The Order of Things

46. 1976 Patricia Meyer Spacks, Imagining a Self

47. 1987 Michael McKeon, Origins of the English Novel

48. 1992 J. Paul Hunter, Before Novels

49. 2006 Cynthia Wall, The Prose of Things


Field List: Novel: Themed as 'SELVES AND OTHERS'

Seventeenth Century

*1. 1605 Miguel de Cervantes, Don Quixote (trans. Tobias Smollett, 1755)

*2. 1678 John Bunyan, Pilgrim's Progress

Eighteenth Century

3. 1719 Daniel Defoe, Robinson Crusoe

*4. 1740 Samuel Richardson, Pamela

5. 1741 Henry Fielding, Shamela

*6. 1761 Jean-Jacques Rousseau, Julie: Or the New Heloise

7 1768 Laurence Sterne, Sentmental Journey

8. 1778 Frances Burney, Evelina

Gothic

9. 1764 Horace Walpole, The Castle of Otranto

Nineteenth Century

10. 1814 Walter Scott, Waverley

11. 1818 Jane Austen, Persuasion

12. 1850 Charles Dickens, David Copperfield

13. 1851 Nathaniel Hawthorne, House of the Seven Gables

14. 1852 Herman Melville, Pierre

15. 1853 Elizabeth Gaskell, Cranford

16. 1853 Charlotte Brontë, Villette

*17. 1857 Gustave Flaubert, Madame Bovary

18. 1857 Anthony Trollope, Barchester Towers

*19. 1869 Leo Tolstoy, War and Peace

20. 1872 George Eliot, Middlemarch

Turn of the Century

21. 1886 Robert Louis Stevenson, The Strange Case of Dr. Jekyll and Mr. Hyde

22. 1895 Thomas Hardy, Jude the Obscure

23. 1897 Henry James, What Maisie Knew

24. 1902 Joseph Conrad, Heart of Darkness

25. 1911 Edith Wharton, Ethan Frome

26. [1913?] pub. 1971 E.M. Forster, Maurice

Modern

27. 1922 James Joyce, Ulysses

*28. 1925 Franz Kafka, The Trial

29. 1929 D.H. Lawrence, Lady Chatterley's Lover

30. 1929 William Faulkner, The Sound and the Fury

31. 1929 Richard Hughes, A High Wind in Jamaica

32. 1933 Virginia Woolf, Flush

Recent

*33. 1946 Halldór Laxness, Independent People

34. 1952 Ralph Ellison, Invisible Man

35. 1955 Vladimir Nabokov, Lolita

*36. 1967 Mikhail Bulgakov, The Master and Margarita

37. 1968 Cormac McCarthy, Outer Dark

38. 1981 Martin Amis, Other People

39. 1988 Salman Rushdie, The Satanic Verses

*40. 2001 W.G. Sebald, Austerlitz

Criticism

Foundational Texts

41. E.M. Forster, Aspects of the Novel

42. Erich Auerbach, Mimesis

Narrative Theory, Genre Studies

43. Lisa Zunshine, Why We Read Novels

44. Adam Newton, Narrative Ethics

Cultural and Literary History

45. R.F. Brissenden, Virtue in Distress: Studies in the Novel of Sentiment

46. Terry Eagleton, Origins of the English Novel